Il Cinema Ritrovato

THE NIGHTINGALE’S COURTSHIP 
(GB/1926-1927) R.: Robert J. Cullen. D.: 5'18''
AM MEER
(Germania/1908) D.: 2'13'' 
YES WE HAVE NO...
(GB/1924) R.: A. Brunel. D.: 4'47'' 
DANCE OF THE MOODS
(GB/1923) D.: 19''
THE MIKADO
(GB/1926) R.: Fred Watts. D.: 3'38''
FREDERIC CHOPIN
(USA-GB/1927) R.: James A. FitzPatrick. D.: 11'23''
PRELUDE
(GB/1928) R.: Castleton Knight. D.: 6'40'' 

Introducono Tony Fletcher e John Sweeney
Accompagnamento al piano di John Sweeney

IT WAS A NICE QUIET MORNING
(Gb/1906) R.: Alf Collins. D.: 2'02''

ARE WE DOWNHEARTED
(Gb/1912) R.: Frank Wilson. D.: 1'57''

HARP OUVERTURE - MARCH TRIUMPHANT 
(Italia/1930) D.: 3'42''

ON WITH THE DANCE
(Francia-Gb/1927) D.: 5'19''

HAYDN AND MOZART
(USA-Gb/1927) R.: James A. FitzPatrick. D.: 11'

MARY WIGMAN DANSER
(Danimarca/1928) D.: 9'44''

Accompagnamento al piano di John Sweeney

ALBERT SANDLER AND HIS VIOLIN - CZARDAS
(GB-Germania/1928) D.: 3'29''

TOREADOR'S SONG
(GB/1910) D.: 1'42''

GEORGES BIZET
(USA-GB/1927) R.: James A. FitzPatrick. D.: 12'

SISTER MARY JANE'S TOP NOTE
(GB/1907) R.: Lewin Fitzhamon. D.: 1'

FREDERICK WHITE'S FAMOUS LONDON CABARETS
(GB/1927) R.: Harry Parkinson. D.: 11'39''

TUSALAVA
(GB/1929) R.: Len Lye. D.: 6'33''

Accompagnamento al piano di John Sweeney

CELLES QUI S'EN FONT
(Francia/1930) R.: Germaine Dulac. D.: 6'
PARIS
(1922) D.: 9'
IN A JAPANESE GARDEN
(Gb-Germania/1928) R.: Karl Freund. D.: 4'
FOUR INDIAN LOVE LYRICS
(USA-Gb/1926) R.: James A. FitzPatrick. D.: 10'
TANZBÜHNE LABAN
(Germania/1928) D.: 1'
GOD DEFEND THE RIGHT
(Gb/1914) R.: Harry Parkinson. D.: 1'

Accompagnamento al piano di John Sweeney