Recovered & Restored

At this critical and delicate time in the history of cinema, witnessing the transition from film to digital, this classic section explores restoration and presentation in both formats. A selection of the very best restorations, realised over the past year (and in most cases in recent months) by public and private institutions, will be presented both in 35mm and digital formats. This section offers an extraordinary point of view on technological developments as well as a breath-taking journey through film history.

Fantômas (1913) by Louis Feuillade • Addio giovinezza (1918) by Augusto Genina • Das Cabinet des Dr. Caligari (1920) by Robert Wiene • Norrtullsligan (1923) by Per Lindberg • The Epic of Everest (1924) by Captain John Noel • The Temptress (1926) by Fred Niblo • Why Be Good (1929) by William Seiter • La Chienne (1931) by Jean Renoir • Les Croix de Bois (1932) by Raymond Bernard • Une partie de campagne (1936) by Jean Renoir • My Darling Clementine (1946) by John Ford • La paura (Fear, 1954) by Roberto Rossellini • Oklahoma! (1955) by Fred Zinnemann • Matrimonio all’italiana (1964) by Vittorio De Sica •  Wutai jiemei (Two Sisters Stage, 1965) by Xien Jin • Il buono, il brutto, il cattivo (1966) by Sergio Leone • Dragon Inn (1967) by King Hu ∙ Sayat Nova (The Color of Pomegranates, 1968) by Sergei Parajanov